What a great industrial and sensorial piece. Having no voice over, I got dragged into this machinery hum and buzz, the flows of water or what is about to become water again, with no end nor beginning. It shows well the immensity of work and energy deployed to treat water for urban population. Something we all depend upon, yet barely acknowledge the existence of.
I’d like to ask you a couple of questions. I suppose not having a person being interviewed, was a deliberate choice, why? Was is it shot on film? Is this something normal for your practice or specific to this project? How using film determined you practice in the context of wastewater plant?
What a great industrial and sensorial piece. Having no voice over, I got dragged into this machinery hum and buzz, the flows of water or what is about to become water again, with no end nor beginning. It shows well the immensity of work and energy deployed to treat water for urban population. Something we all depend upon, yet barely acknowledge the existence of.
I’d like to ask you a couple of questions. I suppose not having a person being interviewed, was a deliberate choice, why? Was is it shot on film? Is this something normal for your practice or specific to this project? How using film determined you practice in the context of wastewater plant?
Thank you again,
Michal.