An examination of climate justice through the lens of spatial inequality in the UK

Tales of traditional knowledge as a sustainable practice for climate change mitigation

The trials and triumphs of women from the Ursari (bear trainers) nomadic group while travelling from Eastern Europe to the UK

How can ancient yogic practice help us navgate the challenges we are facing caused by the climate crisis

1 in 25 empty properties in England could be used to provide much-needed homes

Action on Empty Homes collaborated with Anglia Ruskin University’s Illustration and Animation students to highlight different aspects of how the UK's wasted housing stock could be recycled to help address the UK’s chronic housing crisis.

1 in 25 empty properties in England could be used to provide much-needed homes. One of a series of five animations from Anglia Ruskin University’s Illustration and Animation students highlighting this issue

Animation from students at Anglia Ruskin asking why the UK has so many empty homes in the midst of a housing crisis

1 in 25 empty properties in England could be used to provide much-needed homes. Anglia Ruskin University’s Illustration and Animation students produce five short films highlighting different aspects of how this wasted housing stock could be recycled to help address the UK’s chronic housing crisis

A stop-motion animation about the transformation of the production and commodification of Orientalism from 19th century paintings to tourism photography. The 19th century Art world presented a romanticized and exoticized view of North Africa, creating a marketable fantasy for Western audiences. This narrative laid the groundwork for modern tourism photography, which perpetuates similar themes through the lens of social media. By comparing the two mediums, the film examines how tourism photography continues to commodify and aestheticize North African cultures, reducing them to consumable images for global audiences. The shift to social media amplifies this effect, rapidly disseminating these images and reinforcing stereotypical portrayals. The film seeks to highlight the persistent and evolving nature of Orientalism, revealing how modern technology and tourism sustain and transform colonial narratives into contemporary forms of cultural and economic exploitation.